Tenniscoats
Totemo Aimasho (15th anniversary edition)
Room40
/
2023
CD
17.99
RM415R
Embossed sleeve, insert
Incl. VAT plus shipping / Orders from outside the EU are exempt from VAT
Tracklist
1TENNISCOATS – Hakka
2TENNISCOATS – Aurora Curtains
3TENNISCOATS – Cacoy
4TENNISCOATS – Kimininaritai
5TENNISCOATS – Broome
6TENNISCOATS – Donna Donna
7TENNISCOATS – Jitsurei
8TENNISCOATS – Before Noon
9TENNISCOATS – Hirei
10TENNISCOATS – Rasen
11TENNISCOATS – Midori
12TENNISCOATS – To Do First
13TENNISCOATS – Takashi's Swing (bonus track) (bonus track)
14TENNISCOATS – Cacoy (bonus track - song demo) (bonus track - song demo)
15TENNISCOATS – Rasen (bonus track - Slowmix) (bonus track - Slowmix)
16TENNISCOATS – Tennimonium

In 2005, Tenniscoats toured Australia and as part of that visit Lawrence English arranged a concert in Brisbane. Their show was a wildly-flowing flux of song, improvisation and sheer melodic freedom. Following the performance Saya, Ueno and drummer Yoshinari Kishida spent a few additional days in Brisbane, and it’s during this time that the majority of »Totemo Aimasho« was recorded. This special 15th anniversary edition, is remastered and contains a couple of demo versions.

A note from Lawrence English

Some time in the early 00s John Chantler, who was living in Japan at the time, sent me a couple of curious sound pieces he’d just recorded with musicians he’d met from Tokyo - Tenniscoats. This was my first introduction to Saya and Ueno, who have subsequently gone on to become longtime friends and a wellspring of sonic inspiration.

In 2005, through their connections to Guy Blackman in Melbourne, Tenniscoats under took a tour of Australia and as part of that visit I arranged a concert for them in Brisbane. Their show, held at Rics Cafe in Fortitude Valley, was a wildly-flowing flux of song, improvisation and sheer melodic freedom. Following the performance Saya, Ueno and drummer Yoshinari Kishida spent a few additional days in Brisbane, and it’s during this time that the majority of Totemo Aimasho was recorded.

The recording itself took place in a reappropriated office building, where my friend Heinz Riegler had set up a small recording space. We were able to use the various offices as somewhat isolated recording zones. The results were surprisingly rich, a testament to office room design I suppose.

For this special 15th anniversary edition, I spent some time going back over the recordings to remaster them. This version is perhaps a bit more faithful to the dynamics of those sessions. I also spent some days going through archival materials that were not included in the original Totemo Aimasho sessions. To my surprise I found a couple of demo versions of Cacoy, one of my favourite pieces from the record, as well as some variations of other album pieces and also a couple of experiments not included on the record.

There’s a certain radiant joy to this music. The record is equal parts curiosity, porousness and generosity. It's a mixed methodology that informed this collaboration, and equally the creation of Totemo Aimasho itself.

I want to send a special note of thanks to John, without whom this project, and many subsequent other connections, would not have occurred.