In a relatively short space of time, the prolific young producer Kiana Li, aka gyrofield, has risen high, amassing a slew of releases across revered imprints, and established themselves as a vital voice in electronic music.

Their debut album »Great Jobs« marks the second release on their own ›autonomy-first‹ new label Field Research, and will be supported by a series of European live dates. An especially distinct release within a catalogue already synonymous with evolving output, the LP delves deeper into the realms of possibility. Li reached for different cues, using dub, post-industrial and post punk for fresh inspiration, voicing an »inner world soundclash«, and an alternative perspective.

In gyrofield’s own words: »This record came after two deeply personal records (»Flower Burial«, 2024; »Suspension of Belief«, 2025) where I probed my inner emotional world and reached for more authentic expressions of my worldview. The next change was to put personality at the forefront. Parts of my thoughts, impulses, dissatisfaction with the world, form and dissolve at the spotlight.

Post-punk music became the canvas for re-contextualisation and re-expression, soundsystem music was the groundwork. These laid the foundation for so many genres in the 20th and 21st century. However it is not my prerogative to preach black excellence. I am here to pass on inspiration. My very own inner-world soundclash, with due respect.

When I was younger I'd dream of sounds, first in my head, then on the computer, then into naive expressions of sound which would come back out to the real world. Feedback loops which reinforced convictions, love, and my own identity as a queer person.

It was sometimes harrowing to see myself through the magic mirror. All flaws and angst and inadequacy. I felt this intimately whilst writing the album. It was all a part of me at some point, but having excised and dissected these characters within I could resign myself to the moving picture of identity. The flowing stream.