Tracklist
1 | YOUR LANGUAGE MY CONTROL | 5:09 | |
2 | CLAIRE | 2:14 | |
3 | IL ROMANTICISMO DELL'APOCALISSE | 3:59 | |
4 | MUSIC (PART I + II) | 7:46 | |
5 | FRAGMENTS OF LIGHT | 4:22 | |
6 | WE DANCE IN THE CHAOS | 4:15 | |
7 | UNDERSTAND INFORMATION | 6:58 | |
8 | EVERYTHING THAT IS NOT COUNTED WILL BE LOST | 7:07 | |
9 | NO HYMN FOR NOBODY | 5:07 | |
10 | EVERY MOMENT (I SPEND WITH YOU) | 4:49 |
After two decades, the indietronic veteran returns with a powerful sonic reflection on today’s sociopolitical climate and a poignant reminder of music’s enduring ability to heal, unite, and inspire. Blending experimental electronics with krautrock sensibilities, the album thrives on spontaneity, collaboration, and the beauty of ‘happy accidents’.
While many of Nitrada’s sonic trademarks remain — intricate, rickety beats; enigmatic field recordings; and gut-punching string melodies — EVERYTHING THAT IS NOT COUNTED WILL BE LOST marks a shift in approach. Experimenting with different constellations of musical machines, Christophe Stoll, the mind behind Nitrada, recorded hours of improvisations (some shared on his Instagram). These sketches became the raw material for more elaborate, carefully structured arrangements.
True to his collaborative spirit, Stoll brought in like-minded artists to shape the final album: Jan Sturm (aka STURM) lends his touch to the shimmering FRAGMENTS OF LIGHT. The euphoric dystopian WE DANCE IN THE CHAOS features Landobe (Marco Heinle) and Patrick Siegfried Zimmer on vocals. Luca di Mira (of Giardini di Mirò fame) contributes synths, cello, and delicate textures to some tracks, while Johannes Schardt’s guitar work brings a visceral, post-rock edge to NO HYMN FOR NOBODY and IL ROMANTICISMO DELL’APOCALISSE, nodding to Stoll’s roots in punk and indie.
“The goal is to take listeners on a journey through different timbres and sonic landscapes — a collage of diverse ideas and inspirations,” says Stoll about his album which effortlessly juxtaposes experimental ambient soundscapes, heavy jagged guitars, and minimal techno pulses, making them feel as though they’ve always belonged together. Because, in the end, they do – all part of the shared vocabulary of our universal language: MUSIC.