Please note that this release does not come packaged in a standard LP jacket. The poster serves as the album art.

Midwife’s Madeline Johnston has gone through several different iterations of her music project. In 2015, she moved into Denver’s premier DIY space Rhinoceropolis, where she began learning recording on her own and primarily focusing on Sister Grotto, a long-form ambient based project. Working alongside artists like Colin Ward and Dani Rev, she was inspired by her roommate’s tenacity and artistic outpouring. Madeline recorded Born to Lose / Born to Leave, Blindside, and Song For An Unborn Sun during the first half of her residency (before she started the project that would soon become Like Author, Like Daughter).

Time is a major element in this group of recordings. Tracks were played in real time, slowed down, and played on top of, repeatedly, and has been referred to as an ambient sludge record. Components like the Casio SK-1, endless loop cassettes, delay and pitch shifters distort the passage of time - Layers, repetition, and analogue delay fold it back in on itself. Not unlike the sentimentality and difficulty distinguishing landmark moments of this time period for Madeline, the music itself is a sort of frenetic and meditative blur.